Titres les plus populaires de Daft Punk
Crédits
AUSFÜHRENDE KÜNSTLER:INNEN
Daft Punk
Synthesizer
Giorgio Moroder
Sprecher:in
Paul Jackson Jr.
Gitarre
Greg Liesz
Stahlgitarre
Chris Caswell
Tasteninstrumente
Nathan East
Bass
James Genus
Bass
John "J.R." Robinson
Schlagzeug
Omar Hakim
Schlagzeug
Quinn
Percussion/Schlagzeug
Douglas Walter
Dirigent:in
KOMPOSITION UND LIEDTEXT
Thomas Bangalter
Songwriter:in
Giorgio Moroder
Songwriter:in
Guy-Manuel de Homem-Christo
Songwriter:in
PRODUKTION UND TECHNIK
Thomas Bangalter
Produzent:in
Guy-Manuel de Homem-Christo
Produzent:in
Peter Franco
Aufnahmeingenieur:in
Mick Guzauski
Mischtechniker:in
Florian Lagatta
Aufnahmeingenieur:in
Guillaume Le Braz
Aufnahmeingenieur:in
Daniel Lerner
Ingenieur:in
Seth Waldmann
Ingenieurassistent:in
Cory Brice
Ingenieurassistent:in
Nicolas Essig
Ingenieurassistent:in
Eric Eylands
Ingenieurassistent:in
Derek Karlquist
Ingenieurassistent:in
Miguel Lara
Ingenieurassistent:in
Mike Larson
Ingenieurassistent:in
Kevin Mills
Ingenieurassistent:in
Charlie Pakkari
Ingenieurassistent:in
Bill Rahko
Ingenieurassistent:in
Doug Tyo
Ingenieurassistent:in
Eric Weaver
Ingenieurassistent:in
Alana Da Fonseca
Aufnahmeingenieur:in
Phil Joly
Aufnahmeingenieur:in
Bob Ludwig
Mastering-Ingenieur:in
Chab
Mastering-Ingenieur:in
Kyle Stevens
Ingenieurassistent:in
Paroles
When I was 15, 16, when I really started to play guitar
I definitely wanted to become a musician
It was almost impossible because it was the dream was so big
That I didn't see any chance because, I was living in a little town, was studying
And when I finally broke away from school and became a musician
I thought, "Well, now I may have a little bit of a chance"
Because all I really wanted to do is music
And not only play music, but compose music
At that time, in Germany, in '69, '70, they had already discotheques
So, I would take my car, would go to a discotheque
Sing maybe 30 minutes
I think I had about seven, eight songs
I would partially sleep in the car
Because I didn't want to drive home, and that helped me for about
Almost two years to survive in the beginning
I wanted to do an album with the sounds of the '50s
The sounds of the '60s, of the '70s, and then have a sound of the future
And I said, "Wait a second, I know the synthesizer
Why don't I use the synthesizer, which is the sound of the future?"
And I didn't have any idea what to do
But I knew I needed a click, so we put a click on the 24-track
Which then was synced to the Moog Modular
I knew that could be a sound of the future
But I didn't realize how much the impact would be
My name is Giovanni Giorgio
But everybody calls me Giorgio
Once you free your mind about a concept of
Harmony and of music being "correct"
You can do whatever you want
So, nobody told me what to do
And there was no preconception of what to do
Writer(s): Thomas Bangalter, Guy Manuel Homem Christo, Giorgio Moroder
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