Album Classics Explained: Stravinsky - The Rite of Spring (Jeremy Siepmann)

Écouter Classics Explained: Stravinsky - The Rite of Spring par Jeremy Siepmann

Jeremy Siepmann

Classics Explained: Stravinsky - The Rite of Spring

Album · Hörspiele · 2003

Apple Music Note

Titres de l'album Classics Explained: Stravinsky - The Rite of Spring de Jeremy Siepmann

Écouter Introduction, Background and Perspective par Jeremy Siepmann

Introduction, Background and Perspective

Jeremy Siepmann

Écouter A Gentle, Other-worldly Start; No Sign of the Violence to Come par Jeremy Siepmann

A Gentle, Other-worldly Start; No Sign of the Violence to Come

Jeremy Siepmann

Écouter Music As Mosaic; The Composer As Constructor par Jeremy Siepmann

Music As Mosaic; The Composer As Constructor

Jeremy Siepmann

Écouter Two Functions of Metrical Change: Going With the Flow... par Jeremy Siepmann

Two Functions of Metrical Change: Going With the Flow...

Jeremy Siepmann

Écouter ...Or Disrupting It: A Sample of Metrical Violence par Jeremy Siepmann

...Or Disrupting It: A Sample of Metrical Violence

Jeremy Siepmann

Écouter A Stealthy Entry (Clarinets) par Jeremy Siepmann

A Stealthy Entry (Clarinets)

Jeremy Siepmann

Écouter Detour: The Destabilising Properties of Chromaticism par Jeremy Siepmann

Detour: The Destabilising Properties of Chromaticism

Jeremy Siepmann

Écouter On Melodies, Themes and Motifs par Jeremy Siepmann

On Melodies, Themes and Motifs

Jeremy Siepmann

Écouter The New Cor Anglais Motif Dominates par Jeremy Siepmann

The New Cor Anglais Motif Dominates

Jeremy Siepmann

Écouter The Oboe's Rhythmic Motif Takes Over par Jeremy Siepmann

The Oboe's Rhythmic Motif Takes Over

Jeremy Siepmann

Écouter A Primeval Awakening par Jeremy Siepmann

A Primeval Awakening

Jeremy Siepmann

Écouter A Panoply of Stravinskyan Birdsong par Jeremy Siepmann

A Panoply of Stravinskyan Birdsong

Jeremy Siepmann

Écouter A Matter of Mode par Jeremy Siepmann

A Matter of Mode

Jeremy Siepmann

Écouter Cue to Introduction par Jeremy Siepmann

Cue to Introduction

Jeremy Siepmann

Écouter Introduction (Complete) par Jeremy Siepmann

Introduction (Complete)

Jeremy Siepmann

Écouter Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The 'Rite of Spring' Chord par Jeremy Siepmann

Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The 'Rite of Spring' Chord

Jeremy Siepmann

Écouter The Great Arrival: Bitonality par Jeremy Siepmann

The Great Arrival: Bitonality

Jeremy Siepmann

Écouter Putting the Boot In: A Metrical Mugging par Jeremy Siepmann

Putting the Boot In: A Metrical Mugging

Jeremy Siepmann

Écouter The Prevalence of Ostinatos, and a Righting of Wrongs par Jeremy Siepmann

The Prevalence of Ostinatos, and a Righting of Wrongs

Jeremy Siepmann

Écouter Metre Restores (Briefly) But the 'savage Motif' Returns par Jeremy Siepmann

Metre Restores (Briefly) But the 'savage Motif' Returns

Jeremy Siepmann

Écouter The Musical Savages Routed par Jeremy Siepmann

The Musical Savages Routed

Jeremy Siepmann

Écouter An Important New Arrival (The 'Horn Motif') par Jeremy Siepmann

An Important New Arrival (The 'Horn Motif')

Jeremy Siepmann

Écouter Another New Theme from the Horns par Jeremy Siepmann

Another New Theme from the Horns

Jeremy Siepmann

Écouter A Crowded Conclusion par Jeremy Siepmann

A Crowded Conclusion

Jeremy Siepmann

Écouter A Real Study In Contrasts par Jeremy Siepmann

A Real Study In Contrasts

Jeremy Siepmann

Écouter Panic and Pandemonium As Timpani Open Fire par Jeremy Siepmann

Panic and Pandemonium As Timpani Open Fire

Jeremy Siepmann

Écouter Climactic Melee Haunted By 'Fear Motif' par Jeremy Siepmann

Climactic Melee Haunted By 'Fear Motif'

Jeremy Siepmann

Écouter Suddenly Another World, As Flutes Hover Over Harmonic Vapour... par Jeremy Siepmann

Suddenly Another World, As Flutes Hover Over Harmonic Vapour...

Jeremy Siepmann

Écouter ...But a Transient One: New Movement Arises from the Deep par Jeremy Siepmann

...But a Transient One: New Movement Arises from the Deep

Jeremy Siepmann

Écouter 'Dragging Feet Motif' Over Ostinato Violins, Twice Interrupted par Jeremy Siepmann

'Dragging Feet Motif' Over Ostinato Violins, Twice Interrupted

Jeremy Siepmann

Écouter 'Marching Motif' Developed Further By Flutes and Horns par Jeremy Siepmann

'Marching Motif' Developed Further By Flutes and Horns

Jeremy Siepmann

Écouter A Trilling Commentary from Piccolo and High Clarinet par Jeremy Siepmann

A Trilling Commentary from Piccolo and High Clarinet

Jeremy Siepmann

Écouter 'Marching Motif' Theme Goes Polymetric In Huge Crescendo par Jeremy Siepmann

'Marching Motif' Theme Goes Polymetric In Huge Crescendo

Jeremy Siepmann

Écouter An Unexpected Change of Pace As Tempo Doubles par Jeremy Siepmann

An Unexpected Change of Pace As Tempo Doubles

Jeremy Siepmann

Écouter And an Unexpected Reversion, to a Quiet Close par Jeremy Siepmann

And an Unexpected Reversion, to a Quiet Close

Jeremy Siepmann

Écouter Violent Onslaught from Brass and Timpani Launches the 'Rival Tribes' par Jeremy Siepmann

Violent Onslaught from Brass and Timpani Launches the 'Rival Tribes'

Jeremy Siepmann

Écouter Rival Tribes, Rival Motifs par Jeremy Siepmann

Rival Tribes, Rival Motifs

Jeremy Siepmann

Écouter Sensational Violence Comes Close to Chaos par Jeremy Siepmann

Sensational Violence Comes Close to Chaos

Jeremy Siepmann

Écouter Effects, Impressions and Alteration par Jeremy Siepmann

Effects, Impressions and Alteration

Jeremy Siepmann

Écouter A Surprise Re-entry and a Change of Instrumental Clothing par Jeremy Siepmann

A Surprise Re-entry and a Change of Instrumental Clothing

Jeremy Siepmann

Écouter A Thinning of Texture, a New Idea, and a Rude Interruption par Jeremy Siepmann

A Thinning of Texture, a New Idea, and a Rude Interruption

Jeremy Siepmann

Écouter The New Idea Developed: A Minor Earthquake par Jeremy Siepmann

The New Idea Developed: A Minor Earthquake

Jeremy Siepmann

Écouter The Use of Tone Colour As an Agent of Rhythm par Jeremy Siepmann

The Use of Tone Colour As an Agent of Rhythm

Jeremy Siepmann

Écouter An Unusual Climax... par Jeremy Siepmann

An Unusual Climax...

Jeremy Siepmann

Écouter ...And a Sinister Transition par Jeremy Siepmann

...And a Sinister Transition

Jeremy Siepmann

Écouter Across the Threshold Into an Instrumental Population Explosion par Jeremy Siepmann

Across the Threshold Into an Instrumental Population Explosion

Jeremy Siepmann

Écouter A Sudden Silence and Then Another World par Jeremy Siepmann

A Sudden Silence and Then Another World

Jeremy Siepmann

Écouter Catapulted Into the 'Dance of the Earth' par Jeremy Siepmann

Catapulted Into the 'Dance of the Earth'

Jeremy Siepmann

Écouter Tiny Changes, Unyielding Ostinatos, Massive Tension par Jeremy Siepmann

Tiny Changes, Unyielding Ostinatos, Massive Tension

Jeremy Siepmann

Écouter Cue to Part I Complete par Jeremy Siepmann

Cue to Part I Complete

Jeremy Siepmann

Écouter Part I (Complete) par Jeremy Siepmann

Part I (Complete)

Jeremy Siepmann

Écouter Again a Muted, Subtly Coloured Start par Jeremy Siepmann

Again a Muted, Subtly Coloured Start

Jeremy Siepmann

Écouter Tone Colour As Atmosphere - The Strings' Motif par Jeremy Siepmann

Tone Colour As Atmosphere - The Strings' Motif

Jeremy Siepmann

Écouter Four Solo Violas, Above Gently Rocking Strings par Jeremy Siepmann

Four Solo Violas, Above Gently Rocking Strings

Jeremy Siepmann

Écouter A Pregnant Pause, and a New Motif In Muted Trumpets par Jeremy Siepmann

A Pregnant Pause, and a New Motif In Muted Trumpets

Jeremy Siepmann

Écouter Motif from the Introduction Varied and Extended par Jeremy Siepmann

Motif from the Introduction Varied and Extended

Jeremy Siepmann

Écouter New Motif, Heralded By Clarinets and Violins, Is Introduced By Alto Flute par Jeremy Siepmann

New Motif, Heralded By Clarinets and Violins, Is Introduced By Alto Flute

Jeremy Siepmann

Écouter Variant of Motif No. 2 Given Out By Two Clarinets par Jeremy Siepmann

Variant of Motif No. 2 Given Out By Two Clarinets

Jeremy Siepmann

Écouter Continued By Oboes and Bassoons; New Motif In Violins, Cellos and Bass Clarinet par Jeremy Siepmann

Continued By Oboes and Bassoons; New Motif In Violins, Cellos and Bass Clarinet

Jeremy Siepmann

Écouter Main Motifs Yield to New Idea from Flutes par Jeremy Siepmann

Main Motifs Yield to New Idea from Flutes

Jeremy Siepmann

Écouter All Change - Direction, Tone Colour, Metre - And Two New Ostinatos par Jeremy Siepmann

All Change - Direction, Tone Colour, Metre - And Two New Ostinatos

Jeremy Siepmann

Écouter Motif No. 1 Returns In Horn, Then Passed to Flutes and Strings par Jeremy Siepmann

Motif No. 1 Returns In Horn, Then Passed to Flutes and Strings

Jeremy Siepmann

Écouter Texture, Balance and Tone Colour Keep Changing par Jeremy Siepmann

Texture, Balance and Tone Colour Keep Changing

Jeremy Siepmann

Écouter Instrumental Enrichment, New Counterpoint and a Bleat of Alarm par Jeremy Siepmann

Instrumental Enrichment, New Counterpoint and a Bleat of Alarm

Jeremy Siepmann

Écouter New Derivative of Motif No. 2, a Host of New Sounds - And Again the Bleat par Jeremy Siepmann

New Derivative of Motif No. 2, a Host of New Sounds - And Again the Bleat

Jeremy Siepmann

Écouter Into the Finishing Stretch, and We Know We're In for Something Big par Jeremy Siepmann

Into the Finishing Stretch, and We Know We're In for Something Big

Jeremy Siepmann

Écouter Putting the Movement Back Together Again par Jeremy Siepmann

Putting the Movement Back Together Again

Jeremy Siepmann

Écouter Mystic Circles of the Young Girls (Complete) par Jeremy Siepmann

Mystic Circles of the Young Girls (Complete)

Jeremy Siepmann

Écouter On Into One of the Most Sensational Movements Ever Written par Jeremy Siepmann

On Into One of the Most Sensational Movements Ever Written

Jeremy Siepmann

Écouter The Violence Is Almost Graphic. An Example of Musical Terrorism par Jeremy Siepmann

The Violence Is Almost Graphic. An Example of Musical Terrorism

Jeremy Siepmann

Écouter Motif No. 2: A Terrible, Off-beat Com-pah from Strings, Horns and Oboes par Jeremy Siepmann

Motif No. 2: A Terrible, Off-beat Com-pah from Strings, Horns and Oboes

Jeremy Siepmann

Écouter The Air Is Filled With the Fearsome Baying of Wind and Violins par Jeremy Siepmann

The Air Is Filled With the Fearsome Baying of Wind and Violins

Jeremy Siepmann

Écouter A Variant of Motif No. 2, But Now Descending par Jeremy Siepmann

A Variant of Motif No. 2, But Now Descending

Jeremy Siepmann

Écouter A Study In the Bruality of Suspense - A Musical Mugging par Jeremy Siepmann

A Study In the Bruality of Suspense - A Musical Mugging

Jeremy Siepmann

Écouter The Middle Section Begins With a Massive But Unequal Confrontation par Jeremy Siepmann

The Middle Section Begins With a Massive But Unequal Confrontation

Jeremy Siepmann

Écouter Against the Odds, the 'Descending Motif' Comes Out On Top par Jeremy Siepmann

Against the Odds, the 'Descending Motif' Comes Out On Top

Jeremy Siepmann

Écouter In the Midst of the Fray, a New 'Rising Motif' Emerges... par Jeremy Siepmann

In the Midst of the Fray, a New 'Rising Motif' Emerges...

Jeremy Siepmann

Écouter ...And Undergoes a Typcially Stravinskyan Expansion and Compression par Jeremy Siepmann

...And Undergoes a Typcially Stravinskyan Expansion and Compression

Jeremy Siepmann

Écouter A Much-needed Breath Before the Movement Entire par Jeremy Siepmann

A Much-needed Breath Before the Movement Entire

Jeremy Siepmann

Écouter Glorification of the Chosen One (Complete) par Jeremy Siepmann

Glorification of the Chosen One (Complete)

Jeremy Siepmann

Écouter The Next Movement Consists of a Single, Chordal Motif, Three Times Varied par Jeremy Siepmann

The Next Movement Consists of a Single, Chordal Motif, Three Times Varied

Jeremy Siepmann

Écouter The Second Statement: Breaking the Metrical Flow par Jeremy Siepmann

The Second Statement: Breaking the Metrical Flow

Jeremy Siepmann

Écouter At Last the Establishment of a Clear and Steady Beat, But Will It Last? par Jeremy Siepmann

At Last the Establishment of a Clear and Steady Beat, But Will It Last?

Jeremy Siepmann

Écouter A Counterpoint of Ostinatos Lends Continuity to Changing Time Signatures par Jeremy Siepmann

A Counterpoint of Ostinatos Lends Continuity to Changing Time Signatures

Jeremy Siepmann

Écouter Horns Introduce the First Real Motif, Destabilised By Multiple Metres par Jeremy Siepmann

Horns Introduce the First Real Motif, Destabilised By Multiple Metres

Jeremy Siepmann

Écouter The Motif Disappears, Though the Background Ostinato Continues par Jeremy Siepmann

The Motif Disappears, Though the Background Ostinato Continues

Jeremy Siepmann

Écouter A Change of Mood, Then the Whole Orchestra Crashes In par Jeremy Siepmann

A Change of Mood, Then the Whole Orchestra Crashes In

Jeremy Siepmann

Écouter The Steady Pulse Gives Way to a Tossed Salad of One-bar Motifs par Jeremy Siepmann

The Steady Pulse Gives Way to a Tossed Salad of One-bar Motifs

Jeremy Siepmann

Écouter Lately Abandoned, the Steady Pulse Returns, As Does the 'Trumpet Motif' par Jeremy Siepmann

Lately Abandoned, the Steady Pulse Returns, As Does the 'Trumpet Motif'

Jeremy Siepmann

Écouter The Movement Ends With a Varied Reprise of the Opening par Jeremy Siepmann

The Movement Ends With a Varied Reprise of the Opening

Jeremy Siepmann

Écouter Evocation of the Ancestors (Complete) and Ritual Action of the Ancestors (Complete) par Jeremy Siepmann

Evocation of the Ancestors (Complete) and Ritual Action of the Ancestors (Complete)

Jeremy Siepmann

Écouter The Last Movement Is Based On Two Motifs, the First Most Motable for Its Rhythm par Jeremy Siepmann

The Last Movement Is Based On Two Motifs, the First Most Motable for Its Rhythm

Jeremy Siepmann

Écouter The Second Motif Is Likewise Predominatly Rhythmical In Effect par Jeremy Siepmann

The Second Motif Is Likewise Predominatly Rhythmical In Effect

Jeremy Siepmann

Écouter Two Variants: One a Rhythmic Simplification, the Other an Expansion par Jeremy Siepmann

Two Variants: One a Rhythmic Simplification, the Other an Expansion

Jeremy Siepmann

Écouter A New Section, Again With Two Main Motifs, the First from Wind and Strings par Jeremy Siepmann

A New Section, Again With Two Main Motifs, the First from Wind and Strings

Jeremy Siepmann

Écouter This Is Joined By Another Bried But Very Striking Motif from Muted Brass par Jeremy Siepmann

This Is Joined By Another Bried But Very Striking Motif from Muted Brass

Jeremy Siepmann

Écouter Tension Dramatically Increased By a Violent Interruption from Timpani and Gong par Jeremy Siepmann

Tension Dramatically Increased By a Violent Interruption from Timpani and Gong

Jeremy Siepmann

Écouter Motif No. 2 Is Passed from Bassoons to High Wind and Trumpets... par Jeremy Siepmann

Motif No. 2 Is Passed from Bassoons to High Wind and Trumpets...

Jeremy Siepmann

Écouter ...And Is Twice Interrupted By Horns par Jeremy Siepmann

...And Is Twice Interrupted By Horns

Jeremy Siepmann

Écouter Motif No. 1 Erupts In Full Orchestra, Then All Hell Breaks Loose par Jeremy Siepmann

Motif No. 1 Erupts In Full Orchestra, Then All Hell Breaks Loose

Jeremy Siepmann

Écouter New Ostinato, Over Implacable Repetitions of Motif No. 1, Offset By Clarinets par Jeremy Siepmann

New Ostinato, Over Implacable Repetitions of Motif No. 1, Offset By Clarinets

Jeremy Siepmann

Écouter A New Section, Kick-started By Percussion: Timpani, Bass Drum and Gong par Jeremy Siepmann

A New Section, Kick-started By Percussion: Timpani, Bass Drum and Gong

Jeremy Siepmann

Écouter Horns, Doubled By Strings, Introduce the Main Idea of This New Section par Jeremy Siepmann

Horns, Doubled By Strings, Introduce the Main Idea of This New Section

Jeremy Siepmann

Écouter The Return of the Movement's Opening Section - Or So We May Think par Jeremy Siepmann

The Return of the Movement's Opening Section - Or So We May Think

Jeremy Siepmann

Écouter Dramatic Compression of Now-familiar Material par Jeremy Siepmann

Dramatic Compression of Now-familiar Material

Jeremy Siepmann

Écouter A Terrifying Cocktail of Motifs Old and New Confounds Expectations... par Jeremy Siepmann

A Terrifying Cocktail of Motifs Old and New Confounds Expectations...

Jeremy Siepmann

Écouter ...And Leads to the Coda, the Final Flourish of the Whole Work par Jeremy Siepmann

...And Leads to the Coda, the Final Flourish of the Whole Work

Jeremy Siepmann

Écouter Cue to All of Part II and End par Jeremy Siepmann

Cue to All of Part II and End

Jeremy Siepmann

Écouter Part II (Complete) par Jeremy Siepmann

Part II (Complete)

Jeremy Siepmann

Jeremy Siepmann : autres albums

Écouter Classics Explained: DVORAK - Symphony No. 9, 'From the New World' par Jeremy Siepmann

ALBUMClassics Explained: DVORAK - Symphony No. 9, 'From the New World'Jeremy Siepmann

Écouter Classics Explained: An Introduction To...Ravel: Bolero & Ma Mere L'oye par Jeremy Siepmann

ALBUMClassics Explained: An Introduction To...Ravel: Bolero & Ma Mere L'oyeJeremy Siepmann

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